More vomit-inducing events were triggered by its Philippine showing foremost of which is the writing of a critique cum I-love-Richard-Gutierrez perorations of uber closet queen Butch Francisco. He forwarded the thesis that the Filipino directors could have done the film better. Wrong answer, Mr. Closet Queen. If you have your way, the material will be handled by the Reyeses and the Lamangans because you do not like the abrasive Lav Diaz and the indie directors are not masters of the melodramatic. Your vision, Mr/Ms Francisco will be a Slumdog with your GMA male-crushes on it answering stupid questions as “Do you like Butch Francisco’s biceps?” and “Will you marry Butch in London?” then segue-ing into a song and dance number every two minutes. Your Slumdog will be as vomit-inducing as your gossip reportages. Do not ever pose the question again why Jamal in Slumdog did not file an administrative case against the police who tortured him because the proposition is plain stupid and you’re disgracing your gay community by this chain of closet queen logic.
My point is: Slumdog is a gem by its premise and by its smart editing. The tension, the build-up, the staccato flashbacks, the thematic approach and the poverty frames are the Oscar-worthy elements of this opus. It is really the feel-good movie to go to, well, up until when the last question was finally answered. As I’ve intimated, the train station reunion and the song-and-dance number are forced and served no purpose. Jamal just won 10 Million rupees in national TV and he sat there in a dark corner of a train station seedier than the crannies of Quiapo, at midnight. Well, he did it for love. Right. I guess I’ll throw up. Embrace your love, Jamal, then launch in a sing and dance number in all Bollywood glory. Please let me go, I’ll vomit again.
The premise—actually a take from a novel—is a magnificent fantasy staple which anybody can relate to. I found it specially so and more when I each answered the quiz questions in my head and got 3 correct ones. The moral of the story is that in quiz bees and similar competitions you answer the questions banking on your stock knowledge—from those you learned in school and more importantly so from the rough edges of real life. In one’s so called life, the knowledge formed from engagements and encounters in the opposite spectra of human experience (the glorious and the traumatic) sticks encyclopedic in one’s mental backburner. Slumdog, if one can read between the lines, tells us that it is not Magic-Realism at work; trivia and random questions are answered by one’s earnest recollection and re-association of these hit and miss information with one’s life encounters.
If I was the one glued in that seat—before that menacing and heckler host—I would still have nailed realistically all the nine questions as anybody in us could. Some of those questions are localized (that on showbiz, religion and literature) which many of us, including and specially Butch the gossip-monger, could have a chance to hurdle. I answered Benjamin Franklin correctly because in my whole life, a US dollar note in my pocket is always a $100 note. I answered Samuel Colt correctly because it is the most suggestive of a revolver in the choices given. I answered Jack Hobbs rightly using my elementary bluffing sense nurtured by occasional poker games (two choices and the other was suggested in the most dubious manner, which would you settle in?). The 10 Million rupees question was spot on—to my liking, to my taste, to my prejudices.
For ten million rupees, the question is:
In Alexander Dumas' book "The Three Musketeers", two of the musketeers are called Athos and Porthos. What is the name of the third Musketeer?
A.Cardinal Richelieu
B. Planchet
C. D'Artagnan
D. Aramis
Without blinking my eyes: D. ARAMIS! Give me the 10 Million rupees, please. I answered that correctly not because I was a quiz bee champion in high school. Nor would it be due to a voracious appetite for the Classics. The Classics to me being limited to a narrow band of orgasmic literary treats: Dostoyevsky, Kafka, the books on war and violence in the Holy Bible and the Beats. Nor would it be credited to the movie-version which I purposedly did not waste my time on, until now that I’m older. Slumdog sums it for us, man: it is written. Life encounters give it to you, no less, no more.
In 1999, I was in First Year Law and it was customary that a law student should repair his weary shoulders (the heavyweight law books taking their toll) and his worn-out butt (for sitting so long trembling in fear of the daily recitations) in a sauna bath. The repair shop of my study group of four DOMs with teenager hormones was in Antipolo, a smoking windowless block conspicuously named Aramis. While browsing numbers and comparing two-pieced visions of the tender and the unholy (damn Budweiser, damn Red Horse), I blurted to the mommy-san: WTF is Aramis, anyway? Mommy-san, schooled in the ways of the drunk and the horny, softly whispered to my ears: Hijo, he is one of the three musketeers. I have never forgotten that piece of information ever since. Credit it to the Zen-demeanor of Mommy-san, credit it to dear No. 17 for whom I have made Aramis my Saturday pilgrimage in the gasping months of the last millennium.
See, it is written. Now, give me my 10 million rupees, you thrash-talking host, before I stick burning pokers into your eyes!







